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LIFE IN PINK
DATES: October 9 to 20, 2019
The cosmic paintings of Mary and her dancing figures, her disturbing smiles, her Roses, half fig and half grape.
Sophie's Rose galaxy populated with flying houses, winged nymphs' thighs and melodious sirens.
The sweet Roses of Luce which crop up to the surface of our memory, collected in the palm of the hand.
Jocelyne's landscapes and the soft Rose of extended bodies, the fluid Rose of humors that are written
PINK for girls!
Cute let's see ...
Just put water in your wine
And then there are ROSE and ROSE
With or without thorns, Rose petal and Faded Rose
There is the Rose of childish grenadines, barbapapa of yesteryear
and the Rose biting painted lips
The light Rose of tutus and the Rose of flushed blood
The Rose breast, the Rose flesh Rose bud
Pink for all Alices and all Peter Pan
There is even pink for pigs
And sparkling Rosé!
Marie DE GRANDRY
Since 1998, my work explores and questions the body, questions our relationship to others, mainly through the mediums of drawing and painting. Squeaky smiles, worrying babies ... In the series of works carried out since 2011, this time represented in weightlessness, between two states, the characters are seized in their movements, in hesitant attitudes, they fly, dance, hover, fall . Bodies are poorly defined and close to abstraction, they seek their presence in the world, the place they could have in a society which is becoming dehumanized.
Since 1998, my work explores and questions the body, questions our relationship to others, mainly through the mediums of drawing and painting. Squeaky smiles, worrying babies ... In the series of works carried out since 2011, this time represented in weightlessness, between two states, the characters are seized in their movements, in hesitant attitudes, they fly, dance, hover, fall . Bodies are poorly defined and close to abstraction, they seek their presence in the world, the place they could have in a society which is becoming dehumanized.
Sophie LORMEAU
After having transgressed a childhood ban by tearing sheets of magazine paper, I erase the promises of a consumer society that does not keep its promises, while exploring its / our weaknesses. I juxtapose, I then superimpose the paint, the pencil, sometimes the collage and I often spread with my hands. I invent moments of poetic and colorful emotions by making uprooted houses with wandering legs soar. I try to share the wonder and the escape that invaded me when I was a child I discovered reproductions of Toulouse-Lautrec and Modigliani, then a little later the
frescoes by Fra-Angelico and a little later still works by Francis Bacon and Cy Twombly.
frescoes by Fra-Angelico and a little later still works by Francis Bacon and Cy Twombly.
Luce MONGO MBOUSSA
The gestures, folds & knots of everyday life innervate my artistic work.
Between drawing, painting, photography and video, a look is placed on those moments when the body acts outside any representation.
Habits, habits and habitats nourish images that highlight moments of life with varying moods and colors, forging links between the above / below appearances.
Between drawing, painting, photography and video, a look is placed on those moments when the body acts outside any representation.
Habits, habits and habitats nourish images that highlight moments of life with varying moods and colors, forging links between the above / below appearances.
Jocelyne OUTREQUIN
"Impressions, sunset landscapes": The body as a memory, a past photo, the body as a landscape to be surveyed in the sunset light, the soft paint to sink into, the series to make a film.
"Les cis roses": The ink to stain to say the random words that stick to it.
Different mediums and colors are used according to the moods to evoke sensual worlds made of reminiscences, where the images of the history of art and my history in images are superimposed printing flesh and blood on the exposed body.
"Les cis roses": The ink to stain to say the random words that stick to it.
Different mediums and colors are used according to the moods to evoke sensual worlds made of reminiscences, where the images of the history of art and my history in images are superimposed printing flesh and blood on the exposed body.